“SLAVE”

 

By Sandy Faison

 

A Narrative For Creative Extrapolation, Originally Culled From:

“Narrative Of The Life of Frederick Douglass, An American Slave, Written by Himself.”

 

 

Copyright to the original narrative:

 Boston: The Massachusetts Anti Slavery Office, 1845

The Belknap Press of Harvard University

 

CAST: whatever you want

 

In the words of Thomas Merton, “You desire to know the art of living, my friend? It is contained in one phrase: make use of suffering.” Frederick Douglass became a master of “the art of living,” flourishing despite the horrors of slavery. His is a portrait of oppression from which timeless comparisons can be made. There are countless modern forms of slavery to which man is victim, but “The Narrative Of Frederick Douglass” is an account of bondage that is vastly different than modern servitude, so I made it a “theme play.” SLAVE is a spine whereupon one may flesh in his own creative embellishments and enjoy better understanding through personal involvement. It is a palate. For example, I present various approaches for customizing the play by employing my choice of music, song and dance. To engage students, teachers can tailor productions to fit their specific needs and talents. All departments can participate. Outside activities can be utilized. Many natural history museums around the country have exhibits which feature accounts of slavery and the “Underground Railroad.” One thing is for certain, whatever the format, Douglass's narrative is essential in every school. It emphasizes the inestimable value of reading. For Douglass, learning to read was freedom, his first “underground railroad” to empowerment. He wrote:

 “In learning to read, I now understood what had been to me a most perplexing difficulty, to wit, the white man's power to enslave the black man. From that moment, I understood the pathway from slavery to freedom. I set out, at whatever cost, to learn how to read.” (Douglass  59)

 

I was inspired to personalize the Douglass narrative when I recently narrated a production of  “Let Freedom Ring,” at Plymouth Church in Brooklyn. The event was described as “An evening of great music and the words of Abraham Lincoln and Frederick Douglass, Henry Ward Beecher and Martin Luther King Jr.” Over one hundred twenty people in choirs from A.M.E. Zion Church in Harlem, Brooklyn Ecumenical Church of Bedford Stuyvesant and Plymouth Church sang to an audience of 500 strangers, creating a community of one. Diane Harvey, from “The Forces of Nature Dance Theater” in Harlem, performed a dance about a young slave girl put up for auction (I included the sounds of “the auction” at the top of this link). Suffice it to say, the evening was comprised of performances that communicated in ways that would enable “The Narrative of The Life of Frederick Douglass” to make a profound impact on a contemporary audience. It requires an infusion of action, music, dance and mime, and a “soundscape” to articulate the atmosphere as scenes change. The infusion must be indigenous to the narrative in time and circumstance, and prompted by appropriate passages. An irresistible cue occurs at the passage where Douglass describes his sparse interaction with his mother. 

 

Music Cue: My Lord What A Morning - "Please Press Play, and then Continue Reading"

Sung by Marian Anderson

 

I never saw my mother, to know her as such, more than four or five times in my life; and each time was very short in duration, and at night. She was hired by Mr. Stewart, who lived about twelve miles away from my home. She made her journeys to see me in the night, traveling the whole distance on foot, after the performance of her day's work. She was a field hand, and a whipping is the penalty of not being in the field at sunrise. I do not remember seeing my mother by the light of day. She was with me in the night. She would lie down with me and get me to sleep, but long before I waked she was gone.                  

                                                       

                                                                 Douglass, Chapter One, page 24

 

An opportunity for dancing occurs when Frederick

Douglass explains how he was taught to read at seven years old by his

Mistress, Sophia. Her intentions were to teach him to read the Bible.

She sat him by her side and pointed out the letters of the alphabet. With

the air as a blackboard, learning to read can become a ballet. Debussy's Sacred Dance from “Dances Sacred and Profane” lends itself perfectly to such a dance.

 

 

 

 

Music Cue: Debussy - "Please Press Play, and then Continue Reading"

 

         My new mistress proved to be all she appeared when I first met her at the door, a woman of the kindest heart. She very kindly commenced to teach me the A,B,C. After I had learned this, she assisted me in learning to spell words of three or four letters. But, alas! Mr. Auld found out what was going on and at once forbade Mrs. Auld to instruct me further, telling her that it was unlawful, as well as unsafe, to teach a slave to read.

 

                                                                                    Douglass, Chapter Six, page 58

 

The interference by Fred's “master” is particularly meaningful when he interrupts a joyous dance, because the moment is an example of the over all suppression experienced by slaves.

 

A final example of creative embellishment presents itself as Douglass contemplates the fate of his beloved grandmother.

 

If any one thing in my experience served to fill me with unutterable loathing of slaveholders, it was their base ingratitude to my poor old grandmother. She had served my master faithfully from youth to old age. She had been the source of all his wealth; she had peopled his plantation with slaves; she had become a great grandmother in his service. She had rocked him in infancy, attended him in childhood, served him through life, and at his death wiped from his icy brow the cold death sweat, and closed his eyes forever. She was nevertheless left a slave- a slave for life- a slave in the hands of strangers: and in their hands saw her children and grandchildren divided like so many sheep, without being gratified with the small privilege of a single word as to their

or her destiny.

                                                                                     Douglass, Chapter 8, page 76

 

Here is a chance to utilize all of the aspects of fusion, to which could be added rear projection. Acting, music, dancing and mime could dramatically juxtapose the grandmother's abandonment to her lifetime of good works and the progeny she will leave behind. At the end of the following narration, when Douglas questions God, his grandmother should suddenly be bathed in golden moonbeams and ascend to heaven.

 


MUSIC CUE:  Heaven sent - "Please Press Play, and then Continue Reading"

 

       Her present owners finding she was of but little value, her frame already racked with the pains of old age, and complete helplessness fast stealing over her once active limbs, they took her to the woods, built her a little hut, put up a little mud chimney, and then made her welcome to the privilege of supporting herself in perfect loneliness: thus virtually turning her out to die. The hearth is desolate. The children, the unconscious children, who once sang and danced in her presence, are gone. She gropes her way, in the darkness of age, for a drink of water. Instead of the voices of her children, she hears by day the moans of the dove, and by night the screams of hideous owl. All is gloom. The grave is at the door. And now, weighed down by the pains and aches of old age, when the head inclines to the feet, when the beginning and ending of existence meet, and helpless infancy and old age combine together- at this time, this most needful time, the time for the exercise of that tenderness and affection which children only can exercise towards a declining parent- my poor old grandmother, the devoted mother of twelve children, is left all alone, in yonder little hut, before a few dim embers. She stands- she sits- she staggers- she falls- she groans- she dies- and there are none of your grandchildren present, to wipe from her wrinkled brow the cold sweat of death, or to place beneath the sod her fallen remains. 

      Will not a righteous God visit for these things?

 

                                                                                    Douglass  76

 

 

By definition, SLAVE is transitory theater. Each production is seminal, because SLAVE changes shape in every production, depending upon the influence of the co-creators. Every participant is a progenitor, sharing creative input and pride of ownership. It is my fervent hope that this vehicle will serve to deepen the understanding of the life of Frederick Douglass through personal investment, and that it will enlighten both performers and audience members regarding the horrors of slavery and the abiding value of freedom.






The spine of SLAVE is as follows:

SLAVE

“Come, saints and sinners, hear me tell

How pious priests whip Jack and Nell,

And women buy and children sell,

And preach all sinners down to hell,

And sing of heavenly union.

 

“Love not the world,’ the preacher said,

And winked his eye, and shook his head;

He seized on Tom, and Dick, and Ned,

Cur short their meat, and clothes, and bread,

Yet still loved heavenly union.

 

“Another preacher whining spoke

Of One whose heart for sinners broke:

He tied old Nanny to an oak,

And drew the blood at every stroke,

And prayed for heavenly union.

 

“They’ll loudly talk of Christ’s reward,

And bind his image with a cord,

And scold, and swing the lash abhorred,

And sell their brother in the Lord

To handcuffed heavenly union.

 

“They’ll read and sing a sacred song,

And make a prayer both loud and long,

And teach the right and do the wrong,

Hailing the brother, sister throng,

With words of heavenly union.”

 

I assert most unhesitatingly that the religion of the slaveholder is a mere covering for the most horrid crimes, a justifier of the most appalling barbarity, a sanctifier of the most hateful frauds, and a dark shelter under which the darkest, foulest, grossest, and most infernal deeds of slaveholders find the strongest protection.  For of all slaveholders with whom I have ever met, religious slaveholders are the worst.

 

Men and women, old and young, married and single, were ranked with horses, sheep, and swine.  There were horses and men, cattle and women, pigs and children, all holding the same rank in the scale of being, and were all subjected to the same narrow examination.  Silver-headed age and sprightly youth, maids and matrons, had to undergo the same indelicate inspection.

 

I never saw my mother, to know her as such, more than four or five times in my life; and each of these times was very short in duration and at night.  I do not recollect ever seeing my mother by the light of day.  She would lie down with me and get me to sleep, but long before I waked she was gone.  Very little communication ever took place between us.  Death soon ended what little we could have while she lived, and with it her hardships and suffering.  She died when I was about seven years old on one of my master’s farms near Lee’s Mill.  I was not allowed to be present during her illness, at her death or burial.  She was gone long before I knew any thing about it.

 

The men and women slaves received as their monthly allowance of food eight pounds of pork, or its equivalent in fish, and one bushel of corn meal.  Their yearly clothing consisted of two coarse linen shirts, one pair of linen trousers, like the shirts, one jacket, one pair of trousers for winter made of coarse negro cloth, one pair of stockings, and one pair of shoes; the whole of which could not have cost more than seven dollars.

 

 

 

 

 

A mere look, word, or motion, a mistake, accident, or want of power, are all matters for which a slave may be whipped at any time.  Does a slave look dissatisfied?  It is said, he has the devil in him, and it must be whipped out.  Does he speak loudly when spoken to by his master?  Then he is getting high-minded and should be taken down a button-hole lower.  Does he forget to pull off his hat at the approach of a white person?  Then he is wanting in reverence and should be whipped for it.  Does he ever venture to vindicate his conduct when censured for it?  Then he is guilty of impudence, one of the greatest crimes of which a slave can be guilty.

 

I have often been utterly astonished to find persons who could speak of the singing among slaves as evidence of their contentment and happiness.  It is impossible to conceive of a greater mistake.  Slaves sing most when they are most unhappy.  The songs of the slave represent the sorrows of his heart; and he is relieved by them only as an aching heart is relieved by its tears.  They breathed the prayer and complaint of souls boiling over with the bitterest anguish.  If anyone wishes to be impressed with the soul-killing effects of slavery, let him place himself in the deep pine woods, and there let him, in silence, analyze the sounds that shall pass through the chambers of his soul, and if he is not thus impressed, it will only be because “there is no flesh in his obdurate heart.” 

 

The children unable to work in the field had neither shoes, stockings, jackets, nor trousers given to them; their clothing consisted of two coarse linen shirts per year.  When these failed them, they went naked until the next allowance day.  There were no beds given the slaves, unless one coarse blanket be considered such, and none but the men and women had these.

 

Master Andrew, to give me a sample of his bloody disposition, took my little brother by the throat, threw him on the ground, and with the heel of his boot stamped upon his head till the blood gushed from his nose and ears.  After he had committed this savage outrage, he turned to me and said that was the way he meant to serve me one of these days.

 

It was never too hot or too cold; it could never rain, blow, hail, or snow too hard for us to work in the field.  Work, work, work was scarcely more the order of the day than of the night.  Sunday was my only leisure time.  I spent this in a sort of beast-like stupor, between sleep and wake, under some large tree.  At times I would rise up, a flash of energetic freedom would dart through my soul, accompanied with a faint beam of hope that flickered for a moment and then vanished.  I sank down again, mourning over my wretched condition.  I was sometimes prompted to take my life.

 

Our house stood within a few rods of the Chesapeake Bay, whose broad bosom was ever white with sails from every quarter of the habitable globe.  Those beautiful vessels, robed in purest white, so delightful to the eye of free men, were to me so many shrouded ghosts to terrify and torment me with thoughts of my wretched condition.  I have often, in the deep stillness of a summer’s Sabbath, stood all alone upon the lofty banks of the noble bay, and traced, with saddened heart and tearful eye, the countless number of sails moving off to the mighty ocean.  My thoughts would compel utterance; and there, with no audience but the Almighty, I would pour out my soul’s complaint.

 

“You are loosed from your moorings and are free; I am fast in my chains and am a slave!  You move merrily before the gentle gale and I sadly before the bloody whip!  You are freedom’s swift-winged angels that fly round the world; I am confined in bands of iron!  O that I were free!  O, that I were on one of your gallant decks and under your protecting wing!  Alas! Betwixt me and you the turbid waters roll.  Go on, go on.  O that I could also go!  Could I but swim!  If I could fly!  O, why was I born a man of whom to make a brute!  The glad ship is gone; she hides in the dim distance.  I am left in the hottest hell of unending slavery.  O God, save me!  God, deliver me!  Let me be free!  Is there any God?  Why am I a slave?  I will run away.  I will not stand it.  Get caught, or get clear, I’ll try it.  I had as well die with ague as the fever.  I have only one life to lose.  I had as well be killed running as die standing.  Only think of it; one hundred miles straight north, and I am free!”

 

The days between Christmas and New Year’s day are allowed as holidays, the mode here adopted to disgust the slave with freedom by allowing him to see only the abuse of it.  The larger part engaged in such sports and merriments as playing ball, wrestling, running foot races, fiddling, dancing, and drinking whisky; and this latter mode of spending the time was by far the most agreeable to the feelings of our masters. So, when the holidays ended, we staggered up from the filth of our wallowing, took a long breath, and marched to the field, feeling upon the whole rather glad to go from what our master had deceived us into a belief was freedom back to the arms of slavery.

 

Mr. Covey was at the house, about one hundred yards from where we were fanning.  On hearing the fan stop, he hastily inquired what the matter was.  I was sick, and there was no one to bring wheat to the fan.  He came to the spot and gave me a savage kick in the side.  He gave me another kick.  Mr. Covey took up the hickory slat and with it gave me a heavy blow upon the head, making a large wound, and the blood ran freely.  You have seen how a man was made a slave; you shall see how a slave was made a man.

 

Mr. Covey seemed now to think he had me; but at this moment, from whence came the spirit I don’t know, I resolved to fight.  I seized Covey hard by the throat; and as I did so, I rose.  He held on to me, and I to him.  My resistance was so entirely unexpected, that Covey seemed taken all aback.  I held him uneasy, causing the blood to run where I touched him with the ends of my fingers.  He asked me if I meant to persist in my resistance.  I told him I did, come what might, that he had used me like a brute and that I was determined to be used so no longer.  With that, he strove to drag me to a stick.  He meant to knock me down.  I seized him with both hands by his collar, and brought him by a sudden snatch to the ground.  We were at it for nearly two hours.  Covey at length let me go, puffing and blowing at a great rate.  My long crushed spirit rose, cowardice departed, bold defiance took its place; and I now resolved that, however long I might remain a slave in form, the day had passed forever when I could be a slave in fact.  I did not hesitate to let it be known of me that the white man who expected to succeed in whipping must also succeed in killing me.

 

If any one thing in my experience served to fill me with unutterable loathing of slaveholders, it was their base ingratitude to my poor old grandmother.  She had served my master faithfully from youth to old age.  She had been the source of all his wealth; she had peopled his plantation with slaves; she had become a great grandmother in his service.  She had rocked him in infancy, attended him in childhood, served him through life, and at his death wiped from his icy brow the cold death sweat and closed his eyes forever.  She was nevertheless left a slave, a slave for life, a slave in the hands of strangers; and in their hands she saw her children, her grandchildren, and her great-grandchildren divided like so many sheep, without being gratified with the small privilege of a single word as to their or her own destiny.

 

“Gone, gone, sold and gone

To the rice swamp dank and lone,

Where the slave whip ceaseless swings,

Where the noisome insect stings,

Where the fever demon strews

Poison with the falling dews,

Where the sickly sunbeams glare

Through the hot and misty air:

Gone, gone, sold and gone

To the rice swamp dank and lone,

From Virginia hills and waters,

Woe is me, my stolen daughters!”

 

My grandmother, her frame already racked with the pains of old age, they took her to the woods, built her a little hut, and then made her welcome to the privilege of supporting herself there in perfect loneliness.  She hears by day the moans of the dove and by night the screams of the hideous owl.  The grave is at the door.  And now, when the head inclines to the feet, when the beginning and ending of human existence meet and helpless infancy and painful old age combine, my grandmother is left alone before a few dim embers.  She stands—she sits—she staggers—she falls—she groans—she dies.

From my earliest recollection, I date the entertainment of a deep conviction that slavery would not always be able to hold me within its foul embrace; and in the darkest hours of my career in slavery, this living word of faith and spirit of hope departed not from me, but remained like ministering angels to cheer me through the gloom.  This good spirit was from God, and to him I offer thanksgiving and praise.

 

Gong to live at Baltimore laid the foundation and opened the gateway to all my subsequent prosperity.  I have ever regarded it as the first plain manifestation of that kind providence which has ever since attended me and marked my life with so many favors.  My new mistress proved to be all she appeared when I first met her at the door, a woman of the kindest heart. She very kindly commenced to teach me the A,B,C.  After I had learned this, she assisted me in learning to spell words of three or four letters.  But, alas! The fatal poison of irresponsible power was already in her hands and soon commenced its infernal work.

 

Mr. Auld found out what was going on and at once forbade Mrs. Auld to instruct me further, telling her that it was unlawful, as well as unsafe, to teach a slave to read.  “Learning would spoil the best nigger in the world.  He would at once become unmanageable.”  The argument which he so warmly urged against my learning to read only served to inspire me with a desire and determination to learn.  In learning to read, I owe almost as much to the bitter opposition of my master as to the kindly aid of my mistress.  I acknowledge the benefit of both.

 

My mistress was a pious, warm and tenderhearted woman.  Slavery soon proved its ability to divest her of these heavenly qualities.  She now commenced to practice her husband’s precepts.  The tender heart became stone, and the lamblike disposition gave way to one of tiger-like fierceness.  Nothing seemed to make her more angry than to see me with a newspaper.  She seemed to think that here lay the danger.  I now understood what had been to me a most perplexing difficulty, to wit, the white man’s power to enslave the black man.  From that moment, I understood the pathway from slavery to freedom.  I set out, at whatever cost, to learn how to read.

The plan which I adopted, and the one by which I was most successful, was that of making friends of all the little white boys whom I met in the street.  As many of these as I could, I converted into teachers.  With their kindly aid, obtained at different times and in different places, I finally succeeded in learning to read.  When I was sent of errands, I always took my book with me, and by going one part of my errand quickly, I found time to get a lesson before my return.  I used also to carry bread with me, enough of which was always in the house, and to which I was always welcome; for I was much better off in this regard than many of the poor white children in our neighborhood.  This bread I used to bestow upon the hungry little urchins, who, in return, would give me that more valuable bread of knowledge.

 

That very discontentment which Master had predicted would follow my learning to read had already come to torment and sting my soul to unutterable anguish.  As I writhed under it, I would at times feel that learning to read had been a curse rather than a blessing.  It had given me a view of my wretched condition without the remedy.  It opened my eyes to the horrible pit, but to no ladder upon which to get out.  In moments of agony, I envied my fellow slaves for their stupidity.  I have often wished myself a beast.  I preferred the condition of the meanest reptile to my own.  Any thing, no matter what, to get rid of thinking!

 

My fellow slaves were noble souls; they not only possessed loving hearts but brave ones.  We were linked and interlinked with each other.  I loved them with a love stronger than any thing I have experienced since.  It is sometimes said that we slaves do not love and confide in each other.  I can say, I never loved any or confided in any people more than my fellow slave, and especially those with whom I lived.  We never undertook to do any thing of any importance without a mutual consultation.  We never moved separately.  We were one; and as much so by our tempers and dispositions as by the mutual hardships to which we were necessarily subjected by our condition as slaves.

 

 

 

At the close of 1834, I began to want to live upon free land.  I began, with the commencement of the year to prepare myself for a final struggle which should decide my fate one was or the other.  I was fast approaching manhood.  On the one hand, there stood slavery, a stern reality glaring frightfully, its robes already crimsoned with the blood of millions, and even now feasting itself greedily.  On the other hand, away back in the dim distance, under the flickering light of the north star, behind some craggy hill or snow covered mountain, stood a doubtful freedom, half frozen, beckoning to share its hospitality.

 

I was put to learn how to calk.  There was no time to learn anything.  In entering the shipyard, my orders were to do whatever the carpenters commanded me to do.  This was placing me at the beck and call of about seventy-five men.  “Fred, come help me to cant this timber here.”  Fred, come carry this timber yonder.  Fred, bring that roller here.  Fred, go get a fresh can of water.  Fred, come help saw off the end of this timber.  Fred, go quick, and get the crowbar.  Fred, hold on the end of this fall.  Fred, go to the blacksmith’s shop, and get a new punch.  Hurra, Fred! Run and bring me a cold chisel.  I say, Fred, bear a hand, and get up a fire as quick as lightning under that steam box.  Halloo, nigger!  Come, turn this grindstone.  Come, come!  Move, move!  And bowse this timber forward.  I say, darky, blast your eyes, why don’t you heat up some pitch?  Halloo!  Halloo!  Halloo! (Three voices at the same time.) Come here!  Go there!  Hold on where you are!  Damn you, if you move, I’ll knock your brains out!”

 

I was now getting one dollar and fifty cents per day.  I contracted for it; I earned it; it was paid to me; it was rightfully my own; yet, upon each returning Saturday night, I was compelled to deliver every cent of that money to Master.  And why?  Not because he earned it, not because he had any hand in earning it, not because I owed it to him, not because he possessed the slightest shadow of a right to it; but solely because he had the power to compel me to give it up.  The right of the grim-visaged pirate upon the high seas is exactly the same.

 

 

I determined to hire my time with a view of getting money with which to make my escape.  My object in working steadily was to remove any suspicion of my intent to run away.  It is impossible for me to describe my feelings as the time of my contemplated start drew near.  I had a number of warm-hearted friends in Baltimore, friends that I loved almost as I did my life, and the thought of being separated from them forever was painful beyond expression.  It is my opinion that thousands would escape from slavery who now remain but for the strong cords of affection that bind them to their friends.  The thought of leaving my friends was decidedly the most painful thought with which I had to contend.

 

It required no very vivid imagination to depict the most frightful scenes through which I should have to pass in case I failed.  I could not hope to get off with any thing less than the severest punishment, and being placed beyond the means of escape.  It was life and death with me.  But I remained firm, and, according to my resolution, on the third day of September 1838, I left my chains and succeeded in reaching New York without the slightest interruption of any kind.  How I did so, what means I adopted, what direction I traveled, and by what mode of conveyance, I must leave unexplained.  I would keep the merciless slaveholder profoundly ignorant of the means of flight adopted by the slave.  I would leave him to imagine himself surrounded by myriads of invisible tormentors, ever ready to snatch from his infernal grasp his trembling prey.  Let him be left to feel his way in the dark; let darkness commensurate with his crime hover over him; and let him feel that at every step he takes in pursuit of the flying bondman he is running the frightful risk of having his hot brains dashed out by an invisible agency.

 

I have been frequently asked how I felt when I found myself in a free State.  I have never been able to answer the question with any satisfaction to myself.  There I was in the midst of thousands and yet a perfect stranger; without home and without friends in the midst of thousands of my own brethren, children of a common Father, and yet I dared not to unfold to any one for fear of speaking to the wrong one and thereby falling into the hands of money-loving kidnappers whose business it was to lie in wait for the panting fugitive as the ferocious beasts of the forest lie in wait for their prey.

 

Thank Heaven, I remained but a short time in this distressed situation.  I was relieved from it by the humane hand of Mr. David Ruggles, whose vigilance, kindness, and perseverance, I shall never forget.  At this time, Anna, my intended wife, came on; for I wrote to her immediately after my arrival at New York (notwithstanding my homeless, houseless, and helpless condition), informing her of my successful flight.  In a few days after her arrival, Mr. Ruggles called in the Rev. J.W. C. Pennington, who performed the marriage ceremony.  I shouldered one part of our baggage, and Anna took up the other, and we set out forthwith to take passage on board of the steamboat John W. Richmond for Newport, on our way to New Bedford.

 

The slave auctioneer’s bell and the church-going bell chime in with each other, and the bitter cries of the heartbroken slave are drowned in the religious shouts of his pious master.  Revivals of religion and revivals in the slave trade go hand in hand together.  The slave prison and the church stand near each other.  The clanking of fetters and the rattling of chains in the prison and the pious psalm and solemn prayer in the church may be heard at the same time.  The dealers in the bodies and souls of men erect their stand in the presence of the pulpit, and they mutually help each other.  The dealer gives his bloodstained gold to support the pulpit, and the pulpit in return covers his infernal business with the garb of Christianity.  Here we have religion and robbery the allies of each other, devils dressed in angels’ robes and hell presenting the semblance of paradise.

 

 

“But woe unto you, scribes and Pharisees, hypocrites! For ye shut up the kingdom of heaven against men; for ye neither go in yourselves, neither suffer ye them that are entering to go in.  Ye devour widows’ houses, and for a pretence make long prayers; therefore ye shall receive the greater damnation.  Ye compass sea and land to make one proselyte, and when he is made, ye make him twofold more the child of hell than yourselves.  Woe unto you, scribes and Pharisees, hypocrites! For ye pay tithe of mint, and anise, and cumin, and have omitted the weightier matters of the law, judgment, mercy, and faith; these ought ye to have done, and not to leave the other undone.  Ye blind guides! Which strain at a gnat, and swallow a camel.  Woe unto you, scribes and Pharisees, hypocrites! For ye make clean the outside of the cup and of the platter; but within, they are full of extortion and excess.  Woe unto you, scribes and Pharisees, hypocrites! For ye are like unto whited sepulchers, which indeed appear beautiful outward, but are within full of dead men’s bones, and of all uncleanness.  Even so ye also outwardly appear righteous unto men, but within ye are full of hypocrisy and iniquity.”

 

I love the pure, peaceable, and impartial Christianity of Christ.


















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